![]() ![]() But before TAR, most of the members learned their trade in the post-hardcore group BLATANT DISSENT. They even pulled a neat trick by having their final album, 1995’s Over and Out, be their finest work. But unlike, say, COWS or LAUGHING HYENAS, TAR was actually kind of a straight-ahead band, playing a sort of glum, deceptively hook-filled mid-tempo rock music. TAR was a kind of emblematic middle-of-America noise rock band-they constructed their guitars from aluminum and they put out records on labels like Touch and Go and Amphetamine Reptile. ![]() I was selfish and I didn’t treat her the way she deserves to have been treated both during our relationship and in the two years since we broke up.As a teenager growing up in the Midwest during the first half of the 1990s, it’s perhaps unsurprising that I enjoyed the rock band TAR. Joey Armstrong responded to the accusations in a post on his band’s Instagram account, saying that “While I don’t agree with some of the things she said about me. SWMRS was signed to Burger before the label’s dissolution. The label’s aesthetic - which often affected a throwback, naifish attitude toward punk and garage rock - attracted a young and devoted fan base for acts like the Black Lips, FIDLAR, the Growlers, King Tuff and Peach Kelli Pop, and acts as big as Weezer and Iggy Pop performed at their festivals.Īmong this week’s allegations, Regrettes singer Lydia Night accused SWMRS drummer Joey Armstrong, son of Green Day’s Billie Joe Armstrong, of “emotional abuse and sexual coercion by someone in a position of power over me” while she was a minor. The label also threw popular festivals like Santa Ana’s Burgerama and Oakland’s Burger Boogaloo. The label’s entire online and social presence has since been deleted as well, and concert promoter Total Trash Productions, which produced the annual Burger Boogaloo festival, said it had severed all ties with the label.īohrman did not immediately return requests for comment from The Times.īurger, founded in 2007, was a small but influential label focused on limited-run cassettes. He said the label will be removing its catalog from streaming services, and that bands would be free to re-release their albums elsewhere. Therefore, I have decided to step away from the label entirely to focus on my other projects.”īohrman then announced the entire operation was ending to a Pitchfork reporter, closing that conversation with a Porky Pig GIF. Upon further review, I have informed Burger Records that I no longer believe I will be able to achieve my intended goals in assuming the leadership role at Burger in the current climate. Zapor-Gray did not immediately respond to phone or email messages, but wrote in a statement: “When I was asked to take over in this capacity, I expected some blowback for my decision to accept but I believed that the opportunity to have a role in effecting real and lasting positive change within the Burger and indie music scenes was worth the risk. However, just a day later, Zapor-Gray announced she wouldn’t be taking the job. We are sorry that we did not actively monitor this behavior well enough to make the Burger music scene safer for you,” the label said in a statement Tuesday. ![]() “We are also deeply sorry for the role Burger has played in perpetuating a culture of toxic masculinity. Over several tumultuous days this week, Burger’s co-founder Lee Rickard stepped down and divested from the label, and its president, Sean Bohrman, wrote that the label would implement changes, including modifying its name (to the not-very-different vowel-less BRGR RCRDS) and bringing in a new president, Jessa Zapor-Gray. The allegations, which are mostly but not entirely anonymous, surfaced through the Instagram account lured_by_burger_records, and quickly spread through the indie-rock community. The Fullerton indie label Burger Records has dissolved in the wake of multiple accusations of sexual misconduct and abuse against its staff and bands signed to the imprint. ![]()
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